Las óleos de todo Paul Signac


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ID Image  Painting (From A to Z)       Details 
33977  
Paul Signac, Two Milliners,Rue du Caire
 
 Two Milliners,Rue du Caire   mk87 c.1885/86 Oil on canvas 111.8x89cm Zurich,Stiftung Sammlung E.G.Buhrle
48752  
Paul Signac, Unknown work
 
 Unknown work   mk191 Oil on canvas
48769  
Paul Signac, Unknown work
 
 Unknown work   mk191 Oil on canvas
36972  
Paul Signac, Venice
 
 Venice   mk115 1905 Oil on canvas 130x163cm
45000  
Paul Signac, Venise-Le Nuage Rose
 
 Venise-Le Nuage Rose   mk183 Signed and dated 1909 Oil on canvas 73x92cm
36916  
Paul Signac, Wave
 
 Wave   mk115 1888 Oil on canvas 60x92cm
71284  
Paul Signac, woman
 
 woman   mk290 1894 6x9in
71265  
Paul Signac, woman arranging her hair opus
 
 woman arranging her hair opus   mk290 1892 23x27in
11583  
Paul Signac, Woman by Lamplight
 
 Woman by Lamplight   1890 9 3/4'' x 6''(24.5 x 15 cm)Gift of Mrs.Ginette Signac,1976
71223  
Paul Signac, woman reading
 
 woman reading   1887 9x5in musee d orsay paris gift of ginette signac1979
54185  
Paul Signac, Woman Taking up Her Hair
 
 Woman Taking up Her Hair   mk235 1892 Oil on canvas 59x70cm
71275  
Paul Signac, woman with a parasol
 
 woman with a parasol   mk290 1893 32x26in
3824  
Paul Signac, Women at the Well
 
 Women at the Well   1892 Musee d'Orsay,Paris
40826  
Paul Signac, WOmen at the Well
 
 WOmen at the Well   mk156 1892 Oil on canvas 210x146cm
80144  
Paul Signac, Women at the Well
 
 Women at the Well   Paul Signac: Women at the Well, 1892; Oil on canvas cjr
21105  
Paul Signac, Women at the Well (Young Provencal Women at the Well) (mk06)
 
 Women at the Well (Young Provencal Women at the Well) (mk06)   1892 (Salon des Independants,1893)6' 4 3/4'' x 4' 3 1/2''(195 x 131 cm)RF 1979-5
71269  
Paul Signac, women at the well opus
 
 women at the well opus   mk290 1892 76x51in
71330  
Paul Signac, yellow sunset
 
 yellow sunset   mk290 1918 7x9in

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Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.



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